Title of Artwork: “Stalheim”
Artwork by Johan Christian Dahl
12 months Established 1824
Summary of Stalheim
The hilly landscape of Stalheim, Voss, Hordaland is depicted in an oil painting by J. C. Dahl titled Look at from Stalheim (Norwegian: Fra Stalheim) that was concluded in 1842. As a major work of Passionate nationalism, it has accomplished legendary standing in the place. In the canon of Dahl’s operates, this stands among the optimum.
All About Stalheim
The image depicts the late afternoon vista from the peak of Stalheim throughout the Naery Valley to the sugar-loaf shaped peak of Jordalsnuten, framed by peaks and a rainbow. The sunlight is shining on a little city in the middle. To paraphrase Dahl, he has produced “a universe in modest” in which distant people and buildings are distinct. Both equally realism and depicting the beauty of the mountains and, by extension, his country’s society, were significant to him.
The painting’s grandiose allusions anticipate these of later on American landscapes, this kind of as Frederick Church’s Rainy Period in the Tropics (1866), which also features a rainbow at the painting’s peak. Equally Joseph Anton Koch and Dahl’s buddy and colleague Caspar David Friedrich frequently utilised rainbows into their do the job. Rainbows are a Christian emblem of God’s grace and peace.
The artwork by Dahl was started out in 1836 and concluded in 1842. Two pencil and watercolour experiments he took in July 1826, on his initially vacation to Norway’s higher mountain regions, served as the foundation for this portray.
Equally the composition and the details—such as the sunlight illuminating the village—are trustworthy to the scientific tests, but Dahl has amplified the visual by shrinking the valley, so emphasising the Jordalsnuten mountain and downplaying the river’s emergence from the shadows.
When Dahl completed the portray, he swore off getting on any this sort of assignments of that scale all over again.
Countess Wedel of Bogstad commissioned the artwork. In 1914, Carl Gustav Wedel-Jarlsberg donated it to the Norwegian National Gallery.
The image is viewed as to be amongst Dahl’s best, and it may possibly be the most effective example of his objective of presenting the mountains as equally sensible and countrywide symbols. It is now recognised all close to the country. Even much more than his other Norwegian landscapes, this just one enticed guests to the place, and in 1885 a high-class hotel was manufactured in Stalheim as a outcome.