When it comes to producing exhibitions, there are two types that are specially hard to pull off: the electronic exhibition, laden with technical productions and sub-par display solutions, and the exhibition in the public room, which usually means jumping bureaucratic hurdles when staying attentive to a myriad of local community stakeholders.
In an incredibly formidable shift, the Onassis Foundation in Athens has staged “Plásmata: Bodies, Dreams, and Data” a electronic exhibition in Pedion tou Areos, or Ares’ Battlefield, an old army schooling floor since converted into just one of the city’s most significant parks..
“And you know, it was like a struggle,” Afroditi Panagiotakou, the Director of Society at the Onassis Foundation, advised ARTnews. Reclining on a sofa at the Onassis workplaces, putting on a mesh disco suit and system heels, Panagiotakou talked about the obstacle of orchestrating the massive public endeavor.
“When it arrives to the items that we do in our own venue, we seriously have zero concern on no matter if we’re going to be liked or not,” she claimed. “But when we go to the general public house, there should be none of this self esteem. You have to find the tough harmony involving: how am I heading to existing deserving, challenging performs, and also respect the point that I’m performing in a public place.”
This dilemma looks to sum up Panagiotakou’s character, which contains both of those an assertive perception of her tastes and values, even though being deeply informed of her obligations. Apart from her civic ethos, Onassis’s cultural funding is 2nd to none in Greece and represents a big obligation for all associated.